Attack of the Internal Destructor

This piece was part of Let’s Get Free’s 2021 annual art show: “Empathy is the Seed“. Artist statement for the show: “My work visualizes internal landscapes as external environments. By grafting together collage and painting, I construct coherent yet inconsistent topographies that represent the discontinuous realities we construct for and about ourselves. “Attack of the Internal Destructor” illustrates how shame, fear, and ego can threaten our ability to empathize, connect with other humans, and be in solidarity with each other.”

Acrylic and collage on canvas

Lucille

This painting was completed as a portrait project for Ryan McCormick’s Drawing & Painting class at Pittsburgh Center for the Arts.  It’s based on a portrait by Teenie Harris: “Portrait of Lucille Cuthbert” c. 1940-1950, Charles Teenie Harris, gelatin silver print, Carnegie Museum of Art 1996.69.48

You can see the original portrait at Historic Pittsburgh.

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UX research: balance and iterate

Interesting food for thought in this article published in the Weave Journal of Library UX:

The goal of user experience work, as I see it, is not a purity of methods but a balancing of these methods with a practical effectiveness of outcomes. If ethnography and service design can be understood as poles on a spectrum, with methods on one side and outcomes on the other, then user experience would be my term for the spectrum itself.  – Andy Priestner

I’m not sure I get much out of the idea of user experience as a spectrum between ethnography and service design, but I wholeheartedly agree that the goal of UX work is a balancing of methods more than a purity of methods. This view came up frequently in talks at both this year and last year’s IA Summit. FJ van Wingerde did an especially nice job of synthesizing how all the UX research tools we have are basically problematic, but we still have to use them:

Art inspired by online dating

I started this piece many months ago when someone sent me a really annoying message on OK Cupid, but I couldn’t put my finger on what was so frustrating about it.  It said: “no way u r single”.  So I ended up making this painting using  images from old encyclopedias and acrylics:

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Since this is the first artwork I’ve actually COMPLETED in a really long time, I went hog-wild and submitted it for Art All Night, which happens this Saturday in Pittsburgh. Yay for un-curated, free, and massive art displays! Can’t wait to see everything else that’ll be there. Oh, and I did title this piece “no way u r single”, it only seemed proper as an homage.

Birds of prey

Years ago I got this lovely book at the Ann Arbor Public Library book sale.  It has 192 full color plates illustrated by Roger Tory Peterson.

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I’ve since used many of the bird illustrations in collages or as models for paintings or designing paper cuttings.  The latest project turned out especially great — somehow even though there’s terrible lighting in my apartment, I managed to get the color mixing exactly right to blend the printed images into the painted edges of this small wooden tray:

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For this little tray (which was a random Goodwill purchase years ago), I cut out part of the plate from the book, painted a background with some minimal shading, and then fixed the lovely vultures onto the tray’s surface using glue and paint.  I then hand-painted the missing or cropped parts of the image to extend them over the edges of the tray, improvising a bit and making the already dynamic imagery feel like its flowing out of the rectangular frame.

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I can’t recommend this type of painting enough if you’re feeling stuck in a rut or don’t know what you want to create. Let some other artist help you out of your image block by using their forms as your canvas. It will probably help you relax and just enjoy working with paint and color, along with helping you learn to see new aspects of an image you already appreciated.  Worth it, even if you don’t end up creating something wholly original.